지지씨 기관 회원 가입 안내
경기도내에 위치한 국공사립 문화예술기관, 박물관, 미술관, 공연장 등 도내의
문화예술 소식과 정보를 발행해주실 수 있는 곳이라면 언제든지 환영합니다.
지지씨 기관 회원은 지지씨 콘텐츠를 직접 올려 도민들과 더욱 가까이 소통할 수 있습니다.
기관에서 발행하는 소식지, 사업별 보도자료, 발간도서 등 온라인 게재가 가능하다면 그 어떠한 콘텐츠도 가능합니다.
지지씨를 통해 더 많은 도민에게 기관의 사업과 콘텐츠를 홍보하고, 문화예술 네트워크를 구축하세요.
지지씨 기관 회원으로 제휴를 희망하는 기관은 해당 신청서를 작성하여 메일로 제출바랍니다.
지지씨 기관 회원 혜택
신청서 작성 및 제출안내
경기 문화예술의 모든 것, 지지씨는
기관 회원 분들의 많은 참여를 기다립니다.
지지씨플랫폼 운영 가이드
지지씨는 회원 여러분의 게시물이 모두의 삶을 더욱 아름답게 해 줄 거라 믿습니다. 경기문화재단은 여러분이 작성한 게시물을 소중히 다룰 것입니다.
제1조(목적)
본 가이드는 재단법인 경기문화재단의 ‘온라인 아카이브 플랫폼 지지씨(www.ggc.ggcf.kr. 이하 ‘지지씨’)’의 기관회원(이하 ‘회원’)의 정의 및 권리와 의무를 규정하고, 회원의 생산자료에 관한 기록 저장과 활용에 관한 내용을 규정함을 목적으로 합니다.
제2조(정의)
본 가이드에서 사용하는 용어의 정의는 다음과 같습니다.
① ‘지지씨’는 경기도 소재 문화예술기관의 생산자료 등록과 확산을 위해 경기문화재단이 운영하는 온라인 아카이브 플랫폼입니다.
② ‘회원’이란 소정의 가입 승인 절차를 거쳐 지지씨 글쓰기 계정(ID)을 부여받고, 지지씨에 자료 등록 권한을 부여받은 경기도 소재 문화예술기관 및 유관기관을 의미합니다.
‘생산자료(=콘텐츠)’란 ‘회원’이 지지씨 플랫폼 상에 게재한 부호, 문자, 음성, 음향, 그림, 사진, 동영상, 링크 등으로 구성된 각종 콘텐츠 자체 또는 파일을 말합니다.
제3조(가이드의 게시와 개정)
① 경기문화재단은 본 가이드의 내용을 ‘회원’이 쉽게 알 수 있도록 지지씨 플랫폼의 기관회원 등록 안내 페이지에 게시하여, 자유롭게 내려받아 내용을 확인할 수 있도록 합니다.
② 본 가이드는 경기문화재단의 온라인 플랫폼 운영 정책 및 저작권 등 관련 법규에 따라 개정될 수 있으며, 가이드를 개정, 적용하고자 할 때는 30일 이전에 약관 개정 내용, 사유 등을 '회원'에 전자우편으로 발송, 공지합니다. 단, 법령의 개정 등으로 긴급하게 가이드를 변경할 경우, 효력 발생일 직전에 동일한 방법으로 알려 드립니다.
1. 본 가이드의 개정과 관련하여 이의가 있는 ‘회원’은 탈퇴할 수 있습니다.
2. 경기문화재단의 고지가 있고 난 뒤 효력 발생일까지 어떠한 이의도 제기하지 않았을 경우, 개정된 가이드를 승인한 것으로 간주합니다.
제4조(회원자격 및 가입)
① ‘지지씨’의 ‘회원’은 경기도 소재 문화예술기관과 유관기관으로 합니다. ‘회원’은 글쓰기 계정을 부여받은 후 지지씨에 생산자료를 등록하거나, 게시를 요청할 수 있습니다.
② ‘지지씨’의 가입 신청은 지지씨 누리집에서 가능합니다. 회원가입을 원하는 기관은 계정 신청서를 작성, 가입 신청을 할 수 있습니다.
1. 회원가입을 원하는 기관은 지지씨에서 내려받기 한 ‘온라인 콘텐츠 플랫폼 지지씨 계정 신청서’를 지지씨 공식 전자메일(ggc@ggcf.kr)로 제출, 승인 요청을 합니다.
2. 한 기관에 발급되는 계정은 부서별/사업별로 복수 발급이 가능합니다. 단, 사용자 편의 등을위해 기관 계정 관리자 1인이 복수 계정의 발급을 신청한 경우, 승인 불가합니다.
3. ‘회원’ 계정은 신청인이 속한 기관명/부서명/사업명 등의 한글로 부여됩니다.
4. ‘회원’은 계정 발급 후 최초 로그인 시 비밀번호를 변경합니다.
5. 계정의 비밀번호는 가입 승인된 계정과 일치되는 ‘회원’임을 확인하고, 비밀 보호 등을 위해 ‘회원’이 정한 문자 또는 숫자의 조합을 의미합니다.
③ ‘지지씨’ 가입 신청 방법은 내부 방침에 따라 변경될 수 있으며, 가입 신청에 관한 구체적인 내용은 지지씨 누리집에서 확인할 수 있습니다.
④ 경기문화재단은 다음 각호에 해당하는 신청에 대하여 승인 불허 혹은 사후에 계정을 해지할 수 있습니다.
1. 과거 회원자격 상실 회원. 단, 경기문화재단과 회원 재가입 사전 협의, 승인받은 경우는 예외로 함
2. 정보의 허위 기재, 저작권 등 관련 법률을 위반한 저작물 게시 등 제반 규정을 위반한 경우
⑤ ‘회원’은 회원자격 및 지지씨에서 제공하는 혜택 등을 타인에게 양도하거나 대여할 수 없습니다.
⑥ ‘지지씨’는 계정과 생산자료의 효율적인 관리를 위해 〔별표〕에 따라 ‘회원’을 구분합니다. 회원 구분에 따른 이용상의 차이는 없습니다.
제5조(회원 정보의 변경)
① ‘회원’은 언제든지 가입정보의 수정을 요청할 수 있습니다. 기관명, 부서명 등의 변경에 따른 계정 변경도 가능합니다. 단, 계정 변경시에는 계정(신청/변경)신청서를 다시 작성, 제출해야 합니다.
② ‘회원’은 계정 신청 시 기재한 사항이 변경되었을 경우 전자우편 등 기타 방법으로 재단에 대하여 그 변경사항을 알려야 합니다.
③ 제2항의 변경사항을 알리지 않아 발생한 불이익에 대하여 재단은 책임지지 않습니다.
제6조(회원 탈퇴 및 정지‧상실)
① ‘회원’은 지지씨 공식 전자메일, 전화 및 경기문화재단이 정하는 방법으로 탈퇴를 요청할 수 있으며 경기문화재단은 ‘회원’의 요청에 따라 조속히 탈퇴에 필요한 제반 절차를 수행합니다.
② ‘회원’이 탈퇴할 경우, 해당 ‘회원’의 계정 및 가입 시 작성, 제출한 개인정보는 삭제되지만, 탈퇴 이후에도 등록자료는 ‘지지씨’에서 검색, 서비스됩니다.
③ ‘회원’ 탈퇴 후에도 재가입이 가능하며, 탈퇴 전과 동일한 아이디를 부여합니다.
제7조(생산자료의 게시와 활용)
① ‘회원’은 글쓰기페이지(www,ggc.ggcf.kr/ggcplay/login)를 통해 계정의 아이디와 비밀번호를 입력, ‘지지씨’에 접속합니다.
② ‘회원’은 ‘지지씨’ 에디터 프로그램을 활용하여 해당 기관의 문화예술 관련 자료를 게시 및 수정, 삭제할 수 있습니다. 단, 사업의 일몰, 기간의 종료, 추진부서의 변경 등의 사유로 삭제는 불가합니다.
③ ‘회원’은 ‘지지씨’에 게시한 해당기관의 자료를 뉴스레터, SNS 등 온라인 매체로 확산, 활용할 수 있습니다. 단, 타기관의 자료를 사용하는 경우 사전 사용 협의 및 출처를 밝혀야 합니다.
④ ‘회원’의 게시물은 도민 문화향수 확산을 위해 출처를 밝히고 뉴스레터나 SNS 등의 채널에 가공 없이 활용될 수 있습니다.
제8조(회원의 아이디 및 비밀번호의 관리에 대한 의무)
① ‘회원’의 아이디와 비밀번호에 관한 관리책임은 ‘회원’에게 있으며, 이를 제3자에게 제공할 수 없습니다.
② ‘회원’은 아이디 및 비밀번호가 도용되거나 제3자가 사용하고 있음을 인지한 경우, 이를 즉시 경기문화재단에 알리고 재단의 안내를 따라야 합니다.
③ 본조 제2항의 상황에 해당하는 ‘회원’이 경기문화재단에 그 사실을 알리지 않거나, 알린 경우라도 경기문화재단의 안내에 따르지 않아 발생한 불이익에 대하여 경기문화재단은 책임지지 않습니다.
제9조(회원의 개인정보 보호에 대한 의무)
① 경기문화재단은 지지씨 계정 신청시 수집하는 개인정보는 다음과 같습니다.
1. 계정 관리자 이름 2. 사무실 연락처 3. 담당자 전자메일
② ‘회원’의 개인정보는 「개인정보보호법」 및 경기문화재단 개인정보처리방침에 따라 보호됩니다.
③ 경기문화재단 개인정보처리방침은 ‘지지씨’ 누리집 하단에 공개하며, 개정시 그 내용을 ‘회원’의 전자메일로 알립니다.
제10조(사용자 권리 보호)
① ‘회원’의 게시물이 저작권 등에 위배될 경우 경기문화재단은 사전 협의나 통보 없이 바로 삭제조치합니다. 이와 관련한 분쟁은 「저작권법」 및 「공공기록물 관리에 관한 법률」 등을 따릅니다.
② 경기문화재단은 ‘회원’의 게시물이 타인의 권리를 침해하는 내용이거나, 관련 법령을 위배하는 등지지씨의 운영 정책에 부합되지 않는 경우, ‘회원’과 협의 없이 삭제할 수 있습니다.
‘지지씨’의 게시물로 기관의 명예훼손 등 권리침해를 당하셨다면, 경기문화재단 지지씨멤버스의 고객상담(VOC)을 통해 민원을 제기할 수 있습니다. 이는 (사)한국인터넷자율정책기구(KISO)의 정책 규정을 따라 처리될 것입니다.
본 약관은 경기문화재단 대표이사의 승인을 얻은 날부터 시행됩니다.
대분류 | 외부기관 | 경기문화재단 |
---|---|---|
중분류 | 뮤지엄(박물관,미술관)/협회/문화예술공공기관/시군청 담당부서 등 | 본부/기관 |
아이디 | 사업부서명/사업명 | 사업부서명/사업명 |
글쓴이 노출 | 아이디와 동일(한글) | 아이디와 동일(한글) |
콘텐츠 등록/수정 요청
01. 콘텐츠 등록 및 수정 요청서 양식 다운로드
콘텐츠 직접 등록 및 수정이 어려우실 경우, 해당 요청서 양식을 다운로드 하신 후 작성하여
지지씨 관리자에게 등록·수정을 요청해주세요.
02. 콘텐츠 등록 및 수정 요청 안내
상단에서 다운로드하신 해당 요청서 양식 파일을 지지씨 관리자 이메일로 제출해 주세요.
지지씨
Fortress As A World Heritage <Fortresses of the World>_1
1. Namhansanseong of Republic of Korea
Located 25km southeast of downtown Seoul, Namhansanseong was originally built as a defense structure. During the Joseon Period (1392-1910), diverse facilities were built here and the walls were expanded to transform it into a temporary capital for use in the event of an emergency. The structure incorporated all the concepts of military defense engineering available at that time, including the castle systems of China and Japan, as the techniques for building castles and fortresses were changing with the adoption of firearms from the West. Since then it has served as a defense facility for the areas close to Seoul, and people have continued to live within the area. Traces of former military, civilian, and religious facilities can still be seen there. The design and construction of Namhansanseong incorporated all the military defense engineering concepts available in Southeast Asia in the seventeenth century. The fortress was built in consideration of the new threat posed by the adoption of firearms from western countries, based on a review of the castle systems of Korea and China. The construction of the fortress was an important turning point in fortress design in Korea. Namhansanseong is a good example of a fortified city. The installation of facilities to enable the fortress to be used as a temporary capital in the event of an emergency was carried out by Buddhist monks in the seventeenth century. The defense of the fortress was also assumed by them.
Country : Republic of Korea
Location : Extending across Gwangju, Seongnam, and Hanam, Gyeonggi-do
Inscription year : 2014
2. The Great Wall
The Great Wall of China is a vast defense facility whose construction was begun during the reign of Emperor Qin Shi Huang to defend the country against invasion by northern tribes, and continued right up until the Ming Dynasty (1368-1644). Universally recognized as one of the grandest military facilities in the world, it is a superb architectural heritage, in addition to being a historically and strategically important defense facility. Completed during the Ming Dynasty, the Great Wall of China is an architectural masterpiece of magnificent scale. It is said to be the only manmade structure on the Earth that can be observed from the Moon. It is a perfect architecture that blends in with its natural surroundings. During the Spring and Autumn period, the Chinese built a defensive wall along the country’s northern border, establishing their own methods of construction and spatial structures. China’s expansion became even more conspicuous due to the mass mobilization and movement of people for the construction work. The Great Wall is a living testament to the civilization of ancient China. During the Western Han Dynasty, a part of the Wall in Gansu Province was built by means of soil compaction, which is acclaimed as a unique yet universal method of construction. The Great Wall of China is a complex and encompassing cultural asset built over a long period of time. It is a military structure that has been preserved and maintained for over 2,000 years purely for its defensive purpose. It shows that the skills used in its construction continued to develop amid changes in defense tactics and the political situation. The Great Wall of China has become the most important and symbolic structure in the country’s history. The main purpose of the Wall was to fend off hostile forces and protect Chinese culture from invaders. Diverse stories about the people who were mobilized for the Wall’s construction are contained in Yinma Changcheng Kuhang (飮馬長城窟行) written by Chen Lin in about 200 AD, the poems of Du Fu (712~770), and novels written during the Ming Dynasty.
Country : China
Location : Extending across Liaoning, Jilin, Hebei Provinces
Inscription year : 1987
3. Ancient City of Ping Yao
The Ancient City of Ping Yao, which dates from the Han Dynasty (206BC-220 AD), shows how architectural styles and urban planning developed during the dynasty. The well-preserved fortified wall (height: 12m; length: 6.4km) surrounding the city is equipped with six gates and semi-circular bulwarks outside them, four pavilions, and seventy-two watchtowers. More than 4,000 well-preserved houses dating back to the Ming and Qing Periods are still inhabited to this day.
Country : China
Location : Pingyao County, Shanxi Province
Inscription year : 1997
4. Historic Centre of Macao
Macao, which came under the control of Portugal in the mid-sixteenth century, was returned to China in 1999. The Historic Centre of Macao, which is packed with many Portuguese and Chinese-style religious and public buildings, is the place where the local inhabitants had their first contact with Westerners. The area displays numerous traces of the country’s exchanges of culture, architecture, and technologies with western countries. Leading landmarks of the area are a lighthouse and Guia Fortress, which is one of the oldest forts in China. Macao is an area in which exchanges took place between China and Portugal over several centuries in the areas of culture, science, technology, art, and architecture under the special relationship established between the two countries. Macao is an area that has witnessed exchanges between China and western countries since the sixteenth century as a center of activity for trading businesses, missionaries, and scholars engaging in diverse academic disciplines. Traces of those exchanges can be seen in culture conversion featuring the core part of the center. Macao is a fine example of an architectural heritage bearing testimony to the encounter between Chinese and western civilizations that took place over a period of more than 450 years. Former sea routes linking Macao with cities in Portugal attest to this heritage. Macao has long served as a channel for exchanges of culture, religion, science, and technology developed in China and Western countries. Philosophies developed through this process have played a decisive role in pushing ahead with changes in China, including the establishment of an early modern republic.
Country : China
Location : Macao Special Administrative Region
Inscription year : 2005
5. Imperial Palaces of the Ming and Qing Dynasties
in Beijing and Shenyang
The Forbidden City in Beijing served as an imperial palace – and magnificent symbol of the power and authority of the ruler – for five centuries (1416~1911). It consists of 10,000 or so rooms containing numerous items of furniture and artworks, and has beautifully laid out gardens. The Imperial Palace and the heritage objects preserved within its precincts testify to the splendid Chinese civilization of the Ming and Qing Dynasties. The Imperial Palace in Shenyang consists of 114 buildings, including Wensuge Library, built during the Qing Dynasty. It served as the crucial basis of the Chinese dynasties until the relocation of the capital to Beijing. It is a remarkable building containing traces of the cultural traditions of the Qing Dynasty and the northern tribes of China, including the Manchurians. Forbidden City in Beijing and the Imperial Palace in Shenyang are masterpieces of palace architecture. The Imperial Palace in Shenyang, in particular, was an important turning point in traditional architecture and palace architecture of China in the seventeenth and eighteenth centuries. The imperial palaces preserve much ancient furniture and many artworks. Their natural surroundings are also well preserved. One unique aspect of Chinese civilization is the fact that the Chinese have maintained the traditional customs of the Manchurian tribes for centuries. The imperial palaces are leading examples of China’s magnificent architectural tradition. They display the traditions of both the Chinese dynasties and the Manchurian tribes, as well as the development of Chinese architecture in the seventeenth and eighteenth centuries.
Country : China
Location : Beijing and Shenyang
Inscription year : 1987 (expanded in 2004)
6. Old Town of Lijiang
The Old Town of Lijiang is perfectly adapted to the uneven topography of the area, and has become a key commercial and strategic site. One of its most features is an ancient water-supply system that still functions effectively today. The town displays great universal value and authenticity. Its architecture is noteworthy for the blending of elements from several cultures that have come together over many centuries.
Country : China
Location : Old Town of Lijiang
Inscription year : 1997
7. Himeji-jo
Himeji-jo Castle is the finest surviving example of an early seventeenth-century Japanese castle, comprising eighty-three buildings equipped with highly developed systems of defense and ingenious protective devices dating from the beginning of the Shogun period. It is a masterpiece of construction in wood, combining function with aesthetic appeal, both in its elegant appearance, unified by the white plastered earthen walls, and in the subtlety of the relationships between the buildings and the multiple roof layers. The castle is a masterpiece of construction in wood, combining function with aesthetic appeal, both in its elegant appearance, unified by the white plastered earthen walls, and in the subtlety of the relationships between the building masses and the multiple roof layers. The castle is a powerful symbol of the Bakufu, the military government that was in power before the Meiji Restoration (1868-1889). The castle is a well-preserved structure that combines all the important features of Japanese wooden structures.
8. Angkor
Angkor is one of the most important archaeological sites in Southeast Asia. Extending over some 400 km2, including a densely forested area, Angkor Archaeological Park contains the magnificent remains of the different capitals of the Khmer Empire, from the ninth to the fifteenth century, including the famous Temple of Angkor Wat and, at Angkor Thom, the Bayon Temple. The Angkor complex represents the entire spectrum of Khmer art from the ninth to the fourteenth centuries, and includes a number of indisputable artistic masterpieces (e.g. Angkor Wat, Bayon Temple, and Banteay Srei). The Khmer art developed at Angkor had a profound influence over much of Southeast Asia and played a fundamental role in its distinctive evolution. The Khmer Empire of the ninth to the fourteenth centuries encompassed much of Southeast Asia and played a formative role in the political and cultural development of the region. Khmer architecture evolved largely from that of the Indian subcontinent, from which it soon became clearly distinct as it developed its own special characteristics, some independently evolved and others acquired from neighboring cultural traditions. The result was a new artistic horizon in oriental art and architecture.
Country : Cambodia
Location : Siem Reap Province
Inscription year : 1992
9. Hill Forts of Rajasthan(chittorgarh Fort)
This serial site, situated in the state of Rajastahan, includes six majestic forts. The eclectic architecture of the forts, some of which have a perimeter of many kilometres, bears testimony to the power of the Rajput princely states that flourished in the region from the eighth to the eighteenth centuries. Enclosed within defensive walls are major urban centers, palaces, trading centers and other buildings, including temples that often predate the fortifications within which developed an elaborate courtly culture that supported learning, music and the arts. Some of the urban centers enclosed in the fortifications have survived, as have many of the site's temples and other sacred buildings. The forts use the natural defenses offered by the landscape: hills, deserts, rivers, and dense forests. They also feature extensive water harvesting structures that are, for the most part, still in use today. The Hill Forts of Rajasthan exhibit an important interchange of Princely Rajput ideologies in fort planning, art and architecture from the early medieval to late medieval period, within the varied physiographic and cultural zones of Rajasthan. Although Rajput architecture shared much common ground with other regional styles, such as Sultanate and Mughal architecture, it was highly eclectic, drawing inspiration from antecedents and neighbors, and had a degree of influence over later regional styles such as Maratha architecture. The series of six massive hill forts are architectural manifestations of Rajput valor, bravery, feudalism and cultural traditions, as documented in several historic texts and paintings of the medieval and late medieval period in India.
Country : India
Location : Rajastahan State
Inscription year : 2013
10. Historic Centre of Saint Petersburg and Related Groups
of Monuments
St. Petersburg, dubbed the 'Venice of the North' due to its numerous canals and more than 400 bridges, is the result of a vast urban project begun in 1703 under Peter the Great. Later known as Leningrad (in the former USSR), the city is closely associated with the October Revolution. Its architectural heritage reconciles the very different Baroque and pure neoclassical styles, as can be seen in the Admiralty, the Winter Palace, the Marble Palace and the Hermitage. In the field of urban design, Saint Petersburg represents a unique artistic achievement in the sheer ambition of the program, the coherency of the plan, and the speed of its execution. From 1703 to 1725, Peter the Great raised – from a landscape of marshes, peat bogs and rocks – architectural styles in stone and marble for his capital, Saint Petersburg, which he wished to be the most beautiful city in all of Europe. The ensembles designed in Saint Petersburg and the surrounding area by Rastrelli, Vallin de la Mothe, Cameron, Rinaldi, Zakharov, Voronikhine, Rossi, Montferrand and others exerted great influence on the development of architecture and monumental arts in Russia and Finland in the 18th and 19th centuries. The palaces of Peterhof (Petrodvorets) and Tsarskoye Selo (Pushkin), which were restored following their destruction during the Second World War, figure among the city’s most significant constructions. Saint Petersburg was twice directly and tangibly associated with events of universal significance. The construction of Saint Petersburg, between 1703 and 1725, symbolizes the opening of Russia to the western world and the emergence of the empire of the Tsars on the international scene. The Bolshevik Revolution triumphed in Petrograd in 1917 (the city had been renamed in 1914).
Country : Russian Federation
Location : Saint Petersburg
Inscription year : 1990
11. Historic Centre of Bukhara
Bukhara, which is situated on the Silk Route, is more than 2,000 years old. It is the most complete example of a medieval city in Central Asia, with an urban fabric that has remained largely intact. Monuments of particular interest include the famous tomb of Ismail Samani, a masterpiece of tenth-century Muslim architecture, and a large number of seventeenth-century madrasas. The example of Bukhara in terms of its urban layout and buildings had a profound influence on the evolution and planning of towns in a wide region of Central Asia. Bukhara is the most complete and unspoiled example of a medieval Central Asian town whose urban fabric has been preserved to the present day. Between the ninth and sixteenth centuries, Bukhara was the largest centre of Muslim theology, particularly Sufism, in the Near East, with over two hundred mosques and more than a hundred madrasahs.
Country : Uzbekistan
Location : Bukhara region
Inscription year : 1990
12. Itchan Kala
Itchan Kala is the inner town (protected by brick walls some 10 m high) of the old Khiva oasis, which was the last watering hole for caravans before crossing the desert to Iran. Although few very old monuments remain, it is a coherent and well-preserved example of the Muslim architecture of Central Asia. There are several outstanding structures such as the Djuma Mosque, and the mausoleums, madrasas and two magnificent palaces built at the beginning of the nineteenth century by Alla-Kulli-Khan. With the coherent and well-preserved urban ensemble of the inner town of Khiva, Itchan Kala bears exceptional testimony to the lost civilizations of Khorezm. Several monuments of Itchan Kala constitute remarkable and unique types of architectural ensembles, built according to the ancient traditions of Central Asia. The attributes are outstanding examples of Islamic architecture of Central Asia. The Djuma Mosque, with its covered courtyard designed for the rugged climate of Central Asia, is unique in its proportions and the dimensions of its inner structure (55m x 46m), faintly lit by two octagonal lanterns and adorned with 212 columns. The madrasahs making up the social areas boast majestic proportions with simple decoration, forming another type of Islamic architecture specific to Central Asia. The traditional domestic architecture of Khiva represents an important example of human settlements in Central Asia by virtue of its design and construction. Its enclosed houses, with their courtyard, reception room with portico or avian supported by delicately sculptured wooden posts, and private apartments, are also an important attribute of the site that can be studied from the perspective of its eighteenth- and twentieth-century morphological variants.
Country : Uzbekistan
Location : Khiva, Khorezm Province
Inscription year : 1990
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