GyeongGi Cultural Foundation
Presenting the direction of culture and arts to go forward in the COVIS-19 era
Presenting the direction of culture and arts to go forward in the COVIS-19 era
- GyeonGi Cultural Foundation’s 'Driving Theater' is successfully held -
GyeonGi Cultural Foundation (Director Heon Kang)'s COVIS-19
11 teams including 'Drive-in Theater' selection team and invited performance team, 100 artists, following the rehearsal from 10 am to 10:30 pm on the special stage prepared at the 3rd Kintex site, fully exudes artistic qualities that have not been unfolded.
Visitors who visited the scene with family, friends, and couples showed cheers on the passionate stage of artists in a variety of ingenious ways, including emergency flashers and wipers operation, short horn sounding, and waving hands out of car windows or sunroofs.
'Drive-in Theater' deals with the various concepts of classical genres. Ensemble Love Letter, Reforma, Zenith, Lee Ye-young Harmonica Band, Queen Harmonica Ensemble, Basar Concert Orchestra, Human Body Imber Orchestra, Korea-Dutch Music Exchange Association, Kiroska Musical instruments ensemble, Denise Seongho & Coast82, Black String, etc. are active in Gyeonggi-do as well as the world, and teams that have been recognized for their artistry in their respective fields appeared on the stage and presented the perfect stage.
In particular, the organizers conducted intensive quarantine at the event site to actively respond to the spread of COVIS-19 in the metropolitan area. Prior to rehearsal, the entire stage and the waiting room for performers were intensively and frequently disinfected, and all workers were required to check heat and use masks. In addition, we tried to create a safe viewing environment by installing a heating check booth at the entrance, disinfecting the exterior of all vehicles and performing heat checks for internal occupants.
Chang-jin Song, head of the GyeonGi Cultural Foundation, who oversees the event, said, “It was a moving performance that the outstanding artists and residents of Gyeonggi-do, who were thirsty for the stage, showed their passionate stage and high-quality viewing culture.” “With this project, we can respond to the post-corona era. We will develop various cultural contents,” he also said.
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